CREATIVE FUTURES from FORD FOUNDATION

New Infrastructures

We’re witnessing a reimagining of the fundamental ways in which culture and media operate. It’s time for new infrastructures—from institutions to administrative protocols—founded not in extractive logic or saddled by narrow thought, but grounded in justice, accountability, and cooperation. This final set of provocations imagines operational building blocks that can nurture and shape the continued transformation of arts, documentary, and journalism. They describe infrastructures freed from what Toni Morrison called “the distraction of racism,” designed for—and by—us, infrastructures that exist outside institutional spaces and play the long game of systemic change. From news outlets that serve millennials and Gen-Z to safe spaces for BIPOC film executives to build and contest power to radically inclusive application forms for higher education, these ideas rewrite the rules of the game, embedding equity to create a future of diversity and opportunity for all.

The Money

The word philanthropy literally means the love of humankind, but it’s not seen as benevolent by all. Some have even referred to it as “the result of capitalism's extractive excess.” In a time of pandemic, racial reckoning, new and longstanding forms of ableism, and deep economic distress, how can the arts, documentary, and journalism find and leverage financial resources to survive, build, and innovate? These provocations ask hard questions about money and the rules of how it flows. Is public funding for arts and media a good option or is it time to explore for-profit funding? Are we recognizing how various demographic groups access resources differently? How can funders center marginalized groups and support them without forcing them to compete against each other? It's been nearly three decades since Wu-Tang Clan's keen meditation on capitalism, C.R.E.A.M.: “Cash rules everything around me.”: Today, we are seeing that creators are shifting that paradigm. They are not the ruled, but the people making new rules for the benefit of all.

New Paradigms

“Liberation is collective...it opens like an aperture.”
—Las Imaginistas

Tony McDade. Breonna Taylor. George Floyd. We say their names as an invocation to New Paradigms. This year of radical reckoning demands we build new power and recognize existing value in people and stories that have too long been shunted to the side. Whether it’s decolonizing museums, democratizing public television, or pushing to change normative conceptions of labor and productivity, these new paradigms imagine deep ethical practices to meet communities where they are and with the resources and support they need. The voices in New Paradigms center Black, indigenous, disabled, queer, women, and trans folx, moving beyond token solidarity statements to envision a world architected to embrace and honor the multiplicity of story and experience. Drawing upon the anger, energy, and possibility of 2020, these provocations critique our “fundamentally broken systems” and lay out how to repair them, insisting upon ways of being that disrupt SAMO.

Place

Place is often seen as an extension of the self—and the setting for better and more authentic ways of telling stories. When considering the ways we interpret place, we think about its synonyms: scene, setting, situation, venue, area, neighborhood. Most of these suggest a human presence; they also imply where a story happens. This connection between humanity and place is at the heart of these provocations. They call for stories from the most local level, stories told by local storytellers most affected by the issues at the heart of their communities, and they call for an understanding that how we forge these narratives is already present in these places. Place becomes something infinitely more meaningful when it is grounded in local power and perspective, fashioned by the corner poet or storyteller, and captured by the eyes of those living there.

The Co-op

The fields of arts and culture, documentary film, and journalism have long been built on unequal economic and decision-making models. The provocations that follow envision new cooperative models of resource-sharing and community ownership—alternatives to existing structures governed by, and serving, a select few. More than ever these fields need interventions of elasticity and shared responsibility, the same principles powering today’s mutual aid networks, formed in response to COVID-19, and yesterday’s community trusts, developed to democratize farms and housing for BIPOC communities. A co-op can flex to engage evolving needs and empower all of its members to ask, listen, give, and receive. These provocations show us how we might apply cooperative principles in new terrains, in new configurations, and with new populations claiming co-ownership. Join us in building new forms of trust.